Tag Archives: Hugh Robertson

Bim Singh’s final fall is the harsh culmination of the metaphor of entrapment that runs through the film. A mesh, inescapable, awaits Bim everywhere, even in his opulent, new haven. It is an element of the past which refuses to go away that jumps out of nowhere on his return …

Andre Tanker orchestrates—there is no better word—perfect harmony between musical movements and plot movements. Key to that harmony is the articulation of a fusion that proved a prophetic precursor to the diversity of musical forms taken for granted in Trinidad today. At a time when ‘Trinidad music’ meant almost exclusively …

“Revisiting Bim four and a half decades later, thanks to the 40th Anniversary Film and Music Pack, I find the film’s imperfections all the more endearing, its shortcomings charming. Perfection in any home-grown Trinidad film product back then would have been out of sync with place and context; it remains …