“…a divided world that don’t need islands no more…” Can it be that Sir Clive Lloyd does not know fellow OCC awardee David Rudder’s pithy line from his 1988 Rally? Or is it that he simply wishes to ignore it? Or is the problem that Rudder’s 1996 Legacy prediction has …
Read More »Orin: Rudder is the best of T&T; I know my favourite song—what’s yours?
“[…] In musical terms, T&T punches well above its geographic and demographic weight. Many artistes have brought great poetic, musical and lyrical richness to the global table—but none of them brings the feels like David Rudder. “[…] You’ll not find more deftly written words to describe a particular sexy woman …
Read More »Daly Bread: Port of Spain and Port-au-Prince—will T&T mirror crime-ridden Haiti?
As long ago as 2007, readers of this column were introduced to the phrase “breakdown of ordered legal control in the face of anarchy or banditry” as I began my predictions about where we were headed. The phrase belongs to Professor HLA Hart, who was a famous professor of Jurisprudence …
Read More »Vaneisa: Rudderless, we flounder—another portrait of Trinidad and Tobago
In hindsight, it was a rather selfish column, so wrapped up in my woebegone mood that it might actually have been unfair. Not long after David Rudder migrated to Canada, I had written of the enormous loss to our country’s psyche. My distress came from the abiding feeling that for …
Read More »“He used calypso music to define calypso music”; Caricom honours iconic calypsonian, David Rudder
“[…] From the very first note, a Rudder song grabs your soul, and never lets it go. He gave us the anthem that still rallies West Indians near and far. He beseeched us to appreciate our neighbours, and to empathise with them in their times of struggle. He used calypso …
Read More »T2021 W/C: If WI ever needed you is now; Pooran makes Best change his tune
October, which sees the start of the 2021 T20 Cricket World Cup, is also Calypso History Month. So it makes sense to me, if we are going to be clear about what this is all about, to allow David Rudder to tell us. In his ‘Rally’, he has found just …
Read More »Vaneisa: ‘Out of yesterday’s rejection, onward to a new perfection’; A praise song for Carnival
I had begun writing about something entirely different when I suddenly felt I didn’t want to anymore, not this week anyway. It was too utterly oppressive and my mood had been altered by two sightings. One was photographs of the murals that Jackie Hinkson put up yesterday on Fisher Avenue …
Read More »Media Monitor: Chalkdust’s embarrassing offering on education in the age of smart boards and laptops.
Education kills … by degrees! That graffito leapt off the walls of the London Underground at me about half a century ago. And stayed with me. Last weekend’s Sunday Express brought it back to the front of my mind. And reminded me as well of this idea, long espoused by …
Read More »What’s in a name—Pt 2: Black Power, Calypso, Soca and pumpkin vine
What, a young British schoolboy was asked somewhere in the early 1980s, is Black Power? His response was a name: ‘Clive Lloyd.’ As the Republic of Trinidad and Tobago emerges from Carnival and begins a largely muted celebration of the anniversary of the epoch-making 1970 Black Power Revolution, some other …
Read More »Best: What’s in a name? Calypso’s losing battle with the new identity normal
When Terri Lyons led Karene Asche and Heather Mac Intosh in a clean sweep for women in the National Calypso Monarch competition on Carnival Thursday, it may have reminded many of Denyse Plummer’s 1988 boast that woman is boss. However, for those willing to go back two more years to …
Read More »BC Lara’s Great GOAT Debate: Everyone loves a winner; why calypso shunned the Prince
On his first overseas tour as West Indies captain in 1998-99, Brian Lara took action on behalf of the players and forced the now late Pat Rousseau’s and the WICBC’s hand. Where, pray, were the calypsonians? Beginner and Maestro had already passed on but Sparrow and Kitchie were still with …
Read More »Gibbons’ new calypso drama: Voices from the ghetto to sing de chorus?
What, I asked myself, might a Part IV of “Sing de Chorus” look and sound like if the dramatist decided to write one? What quality material would he have to draw on? Would any such production be what a recent Express story about an upcoming concert called “an ode to …
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