Tag Archives: Sparrow

Is greatness, like beauty, in the eye of the beholder? The question is broached in a not-very-good Calypso History Month piece penned by Debbie Jacob in a recent Newsday article under the headline: ‘My top ten calypsoes’. Alas, she offers no answer. “When it comes to narrowing down all the …

Born 86 years ago today on 28 July 1936, Garfield St Aubrun Sobers became simply, as Sparrow sang, “the greatest cricketer on Earth or Mars”. Hyperbole? Calypsonians, we know, are so prone. Still, it isn’t easy to dismiss the claim made by the Calypso King of the World on behalf …

“[…] In 1993, for very spurious reasons which do not bear repeating, Kitch and Sparrow were denied the nation’s then highest national award, the Trinity Cross, although both were clearly deserving of the honour. They were both offered the Chaconia Medal (Gold), which Kitch refused—having regard to the aspersions cast …

Education kills … by degrees! That graffito leapt off the walls of the London Underground at me about half a century ago. And stayed with me. Last weekend’s Sunday Express brought it back to the front of my mind. And reminded me as well of this idea, long espoused by …

There is much common ground between the mechanisms inherent to the narrative of film and calypso. Departing from the same basic treasure (‘the story, the story and the story’), the two media call for different types of interplay between creators and audience. The merit of the really good calypsonian is …

There is within me an old-stager constantly reminding me of how fundamentally cinematic calypso (the good traditional stuff) is. All the tools directors, storyboard artists, camera operators and screenwriters have at their disposal are unfurled by calypsonians in 32 lines plus chorus (see? the unapologetic old-stager), adhering to the block-development …

De lizard run up she foot, An’ it disappear. Everybody still searchin’ everywhere. Wey de lizard, Teacher Mildred? …. …. …. ….  De way she jolly an’ happy Ah sure de lizard must be ticklin’ she. There are many directors, screenwriters, DOPs, storyboard artists and cutting room assistants who would …

The following column on Dennis ‘Sprangalang’ Hall, who passed away on Friday 2 October 2020, was first published in the Sunday Guardian on 30 January 1994: “Why you want to write about me?” he asks suspiciously on the telephone. “I doh like publicity. I’s just ah ordinary man making mih …

The following is the fourth and final instalment in Owen Thompson’s four-part series on the classic album, More Sparrow More!, by iconic calypsonian Slinger “Sparrow” Francisco: There are other equally telling avenues that allow us to arrive at meaning and afford us powerful glimpses into the unique quality of the …

The following is the third in Owen Thompson’s four-part series on the classic album, More Sparrow More!, by iconic calypsonian Slinger “Sparrow” Francisco: In Sa Sa Ay, Sparrow begins by making us all complicit eavesdroppers, inviting us both at the end of the first and the second stanzas to listen …

“[…] Sparrow took command of a cultural realm that touched a particularly sensitive chord, allowing for the message to be conveyed with extraordinary directness and clarity; the entire country sang along… Musically, and in terms of the procedural norms of an art form peculiar to T&T, Jean and Dinah was …

What, I asked myself, might a Part IV of “Sing de Chorus” look and sound like if the dramatist decided to write one? What quality material would he have to draw on? Would any such production be what a recent Express story about an upcoming concert called “an ode to …