What, I asked myself, might a Part IV of “Sing de Chorus” look and sound like if the dramatist decided to write one? What quality material would he have to draw on? Would any such production be what a recent Express story about an upcoming concert called “an ode to …
Read More »Dear Editor: “A sublime yet subtle poet […] who defied conformation”; Ode to Shadow
“He was a sublime yet subtle poet who danced to his own drum, who wove bass lines—allegedly from Hell, but so transportive as to refute that assertion—that underpinned, pulsed through and propelled each call that he made to his beloved people.” The following Letter to the Editor on the passing …
Read More »Casting the longest Shadow: how the Bassman from Les Coteaux shook up calypso
As the homage continues, your pores raise as the senses are met with the incomprehensible but instantly recognisable “Ah be a ya-ya-ya-ya-ya-ya wha-wha-wha.” Who else but Winston Bailey could open a tune with his own blend of words and letters as a melody, to float upon the one he has …
Read More »From front to back and back to front; St Bernard on the legacy of the “Mighty Shadow”
“Come here Winston. Go there Winston. Dey always pushing me around,” sang the late iconic calypsonian, Winston “Shadow” Bailey. For that reason, I always called him Winston. I considered him my friend. He was complex and self assured about his music. I once begged him to allow me to compile a …
Read More »Daly Bread: Sing de chorus; why Tourism Minister should get out more and T&T needs What’s On app
By the time of publication, Sing de Chorus would have completed eight performances—including a morning show for students at a discounted price. Sing de Chorus is a calypso musical written by Rawle Gibbons. It is the first part of his trilogy of calypso musicals tracing the history of calypso from …
Read More »Uhmm, Kes… Hello?! Gilkes explains why he takes exception to soca star’s new video
I’ve been a big Kes fan for ages. I love “Wotless” and I’m not sure if I can get enough of the song “Hello”. Its recently released video, however, is a whole different bag of worms. Don’t get me wrong, I’m always happy when our ‘kaiso’—no matter the genre—is given …
Read More »Daly Bread: The Helon standard; why T&T society desperately needs Change
These columns have regularly lamented the failure of leaders in all sectors to think innovatively, act with empathy and set minimum standards for conduct in public life. My heart therefore soared to hear in song: “Who set the standards in my T&T? I really wish somebody here could tell me. …
Read More »Helon was Rudder-like! St Bernard sees positive calypso change coming from the new generation
The return of the Kings and Queens to Sunday’s Dimanche Gras made for a good show. Calypso won as, although there were too many props, there was no excess of lame melodies, thank God, and no overdose of prosaic lyrics. It was refreshing to hear music back in our calypso; …
Read More »Change at the top! Helon Francis crowned 2018 Calypso Monarch; Voice finishes second
There was change at the top of the calypso pyramid last night as 24-year-old Helon Francis was crowned the 2018 Calypso Monarch with “Changes”—a powerful social commentary about Trinidad and Tobago’s need for introspection and revolution of thought to address corruption and crime in the two-island republic. Much of the …
Read More »Can Sandra silence Voice in the Big Yard? St Bernard previews Sunday’s sizzling Calypso finals
The 2018 Calypso Monarch Finals promise to be the best in about 20 years. This is so although the judges only got about 70% of the selections correct. The mix will be excellent, not simply in terms of musical variety and lyrical content and style and pace but also in …
Read More »Bad calypsonomics to blame for tents going bust; Baldeosingh considers impact of State interference
“In a market economy, prices indicate demand which, in turn, affects supply—falling prices indicate lower demand, higher prices reveal shortages and, generally, supply adjusts to meet demand. “[…] The trouble was that State subsidies distorted the market for calypso. So government funding, especially over the past 25 years, concealed preferences—or, …
Read More »Dear Editor: Chutney has a place in Carnival no matter what Cro Cro says!
“[George] Singh’s outburst was a public exposé of what the Indo-Trinidadian (Indian) community had always known, i.e. Indian culture (e.g. chutney, pichakaree) is given marginal or no space in ‘national’ and regional shows (e.g. CARIFESTA). […] “In all his anger, Singh was careful not to confirm what almost every Trinidadian suspected …
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