Writing is a solitary experience. It’s you and your thoughts—all the chatter is internal. I do not quiver at the notion of solitude; I’m quite happy to be ensconced within my brain. When I finished with the book I had been working on for five or six years, Son of …
Read More »Vaneisa: Following Frank; the story of the Son of Grace
Over the years that I spent researching and writing the biography of Sir Frank Worrell, I often referred to him—sharing snippets and soliciting information—through this column. The book, Son of Grace, was published six months ago, and I found myself curiously unable to mention its existence, feeling awkward to say …
Read More »Vaneisa: Perhaps we should replace, not reform, our Constitution
I suggested that people might not be offering their views on constitutional reform because they do not know what is contained in the country’s Constitution. I may be familiar with its nitty-gritty, but I can’t say I have a total grasp of what it covers. And that’s a point I …
Read More »Vaneisa: Mancrab and the river—man’s struggle against time
A conversation about imagining our future planet raised a jumble of issues for me. I could grasp the substantive points being made by the 30-year-old, but many of them had not occurred to me before. It seemed that it might be a world where basic survival would define all activities. …
Read More »Vaneisa: Paying to learn—the lingering issue with VAT on books
In the late 1990s, in response to one of my weekly columns, retired Professor Emeritus Desmond Imbert called me. It was the beginning of a rather odd friendship that went on for years—when he died in 2010, we had still never met in person. Communication was always at his instigation, …
Read More »Vaneisa: The remarkable Razif—and his masterful food photos
Who said posting about what you had for breakfast is so banal? I did. In my last column. I am not retracting it as a general observation, but there was an anomaly. An exceptional exception. His name? Razif Khan, a man who shared photos on Facebook of his meals—breakfast, lunch …
Read More »Vaneisa: “Far more than a collection of books”—a library is a living space
In a land where public institutions are symbols of frustration, two stand out by dint of their commitment to service and innovation. I am referring to Nalis, our National Library and Information Service Authority, and our National Archives. In the course of my various episodes of research, I became convinced …
Read More »Vaneisa: “A superb specimen of the human race”—to Reggie, with love
(This column was written on the day he died, before I knew.) In January 2021, I wrote a column about headaches, and my perpetual one since I was about 14. It was not so much a complaint (I hope), but an attempt to explore that world of pain and its …
Read More »Vaneisa: Searching for a form—how to preserve our heritage
It’s an idea just taking root, and having thrown it out last week, I figure I could try to see how it could take shape. By headlining that column “A Ministry of Festivals” people got locked inside an idea of an entity akin to the existing Ministry of Culture, although …
Read More »Vaneisa: A Ministry of Festivals can be revolutionary—with Manwarren at the helm!
I don’t actually mean that we should have a ministry of festivals, in the sense of a state-controlled body—that kind of lumbering oversight has done little to develop anything meaningfully. Not for an entity that has to be agile and innovative and intimate with our history and traditions. Last year, …
Read More »Vaneisa: Steelpan unity, disingenuous Gypsy and a Carnival of identity
Something of an epiphany came to me after the Panorama finals. Steelband arrangers genuinely seem to respect and admire each other. I couldn’t think of any instance where they have made derogatory remarks about their competitors. Apart from the swagger that is typical in a competitive environment, there is a …
Read More »Vaneisa: The season of everything—embracing the Carnival spirit
One thing this country is extraordinarily gifted at is its creative impulses, and Carnival is the premier showcase for it. The sound of steel pans was my first and abiding connection to Carnival. It is still the most powerful bond. Just as cricket fills me with a sense of West …
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