There is much common ground between the mechanisms inherent to the narrative of film and calypso. Departing from the same basic treasure (‘the story, the story and the story’), the two media call for different types of interplay between creators and audience. The merit of the really good calypsonian is …
Read More »Calypso as film—Pt 3: Grandmaster Kitch, gothic chill and Hitchcock’s thrill
It is not only Dr Bird who goes head-to-head with the director of The Birds. Sir Alfred was a master of reminding audiences of what may lie beneath surface reality and of bringing them chillingly close to it. Grandmaster Aldwyn ‘Lord Kitchener’ Roberts’ does so in ‘Love in de Cemetery’ …
Read More »Calypso as film—Pt 2; Sparrow’s Lion/Donkey and Baron’s Shorty make theatre in the street
There is within me an old-stager constantly reminding me of how fundamentally cinematic calypso (the good traditional stuff) is. All the tools directors, storyboard artists, camera operators and screenwriters have at their disposal are unfurled by calypsonians in 32 lines plus chorus (see? the unapologetic old-stager), adhering to the block-development …
Read More »Calypso as film: How does Dr Bird stack up against the director of The Birds?
De lizard run up she foot, An’ it disappear. Everybody still searchin’ everywhere. Wey de lizard, Teacher Mildred? …. …. …. …. De way she jolly an’ happy Ah sure de lizard must be ticklin’ she. There are many directors, screenwriters, DOPs, storyboard artists and cutting room assistants who would …
Read More »